The game is known for its authentic portrayal of hunting, and audio plays a crucial part in delivering that. theHunter: Call of the Wild recently celebrated its fifth anniversary, but we’re always trying to find new ways to make the game more immersive, accessible and enjoyable for our players. We (the audio team) started discussing the idea about a year ago, and felt that it would be a great addition to the experience. Why did you decide to implement Dolby Atmos in theHunter: Call of the Wild? I quickly fell in love with sound design, synthesis, recording, and audio processing, and here I am now! I was fascinated by the process and collaboration that's required when developing games, and really enjoyed the technical aspects of it. How did you end up in the games industry?Īfter finishing my Bachelor’s Degree, I did my Master’s in scoring for video games and film. I've been a musician most of my life and always lovedĮxperimenting with sound, which led me to getting a Bachelor’s Degree in jazz and music education. Before joining Expansive Worlds (a creative division within Avalanche Studios Group), I worked as a freelance sound designer in the film and games industry, doing orchestration work and additional music production for games like Destiny 2.
Hello! I’m Zevik Perry, Audio Designer on theHunter: Call of the Wild.
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